텍스트 투 비디오
Pensive Fan at Baseball Game — AI 비디오 프롬프트
A cinematic zoom-in video prompt featuring a woman at a night baseball game. It emphasizes photography technicals like the Sony A7R and 85mm lens for creamy bokeh effects. - AIPinMaker
프롬프트
Create a game video of Pensive Fan At Baseball Game. Style: photorealistic. Composition: balanced and well-framed. Lighting: natural with cinematic mood. Category: illustration. Reference: pensive-fan-at-baseball-game-4702.
참고 이미지
이 AI 비디오 프롬프트 템플릿 사용 방법
1프롬프트 복사 — 템플릿의 프롬프트와 네거티브 프롬프트를 가져오세요. 
2모델 선택 — 가장 잘 맞는 추천 AI 모델을 고르세요. 
3생성 — 클릭 한 번으로 스튜디오를 열어 결과를 만드세요.
관련 템플릿
Market Kidnapping Action Drama Script
Shot 1 — Market Introduction | 0–5s Beautiful elegant girl walking through a busy evening market eating a softy ice cream. She carries a stylish purse and smiles naturally. Warm cinematic market lights, crowded atmosphere, moving people around her. Camera smoothly tracks beside her. Audio: Market ambience, soft chatter, distant traffic. Shot 2 — Suspicious Van Arrives | 5–9s A white Omni van with black tinted windows suddenly stops beside her. Van door slides open aggressively. Two masked men quickly jump out and move toward her fast. People nearby begin noticing something wrong. Audio: Van tire stop, sliding door sound, rising tension music. Shot 3 — Kidnapping | 9–15s The men grab both her arms tightly. She screams loudly for help and struggles desperately. Her softy falls onto the road. One man covers her mouth while they force her inside the van. Van door slams shut and the vehicle speeds away instantly. Audio: Loud screaming, people shouting, van accelerating fast. Shot 5 — High-Speed Chase | 16–22s Police car follows closely through traffic. Van swerves dangerously between vehicles. Police officer speaks on radio: “Suspect van heading toward checkpoint. Block the road now!” Three police vehicles move into position ahead. Shot 6 — Roadblock Crash | 22–26s Police cars fully block the road. Van driver refuses to stop and crashes hard into police vehicles. Smoke, sparks, shattered glass. Shot 7 — Final Capture | 26–30s The three kidnappers try running away. Police quickly tackle and arrest them. The girl exits the damaged van crying and shaking in fear while a police officer comforts her. Sirens flash across final frame. Shot 8 — Familiar Face | 30–35s Inside the police car. The girl sits frightened and emotional, trying to stop crying. The police officer looks at her with concern because he already knows her personally. Police Officer: “You’re okay now… I’m here. Nothing’s going to happen to you.” She recognizes him and feels slightly relieved. Audio: Soft emotional background music, distant sirens. Shot 9 — Criminals in Custody | 35–40s Outside near the damaged van. Other officers push the two masked men against the police vehicle and restrain their hands behind their backs. One criminal tries begging for mercy while officers question them strictly. Police Officer: “Why did you kidnap her? Who planned this?” The suspects stay nervous and silent. Audio: Police radios, hand restraint clicks, crowd noise. Shot 11 — Police Interrogation | 45–50s Inside a dim police custody room. The two masked criminals sit behind metal bars looking exhausted and nervous. A police officer stands in front of them aggressively demanding answers. Police Officer: “Who are you working for? Talk now!” The criminals panic and avoid eye contact while another officer records the interrogation nearby. Camera slowly zooms through the jail bars as tension builds.3c:Tb89,Shot 1 — Market Introduction | 0–5s Beautiful elegan
Cinematic Knife Thrower Trust Scene
[CUT 1 — 0:00–0:03] Pure black. A single spotlight ignites illuminating a young woman standing against a massive spinning wooden wheel — arms out, chin up, eyes open. She is the target. Dark hair pinned back, crimson costume, jaw locked with the specific calm of someone who has done this a thousand times and knows exactly how close close is. Across the stage in the shadows — the knife thrower. Blindfold already covering his eyes, six blades fanned between his fingers. The crowd completely silent. Camera slowly pushes toward her face. Voiceover — her voice, quiet and certain: "Everyone thinks he is the brave one." [CUT 2 — 0:03–0:07] Slow motion intercut — extreme close-up on her eyes steady and unblinking. Cut to his blindfolded face, head tilting slightly, reading the air, reading the silence, reading her breath from across the stage. Cut back to her eyes. They are locked on him even though he cannot see. Close-up on his fingers — knuckles white around the blade handle, tendons raised, one blade drawn back. The crowd in the background blurred and breathless. A single drum beat. Voiceover: "But I am the one who has to trust." [CUT 3 — 0:07–0:11] Ultra slow motion — the blade releases. The knife tumbles through the spotlight beam in perfect slow rotation, light catching every edge of the spinning steel in sharp brilliant flashes. Camera tracks it from behind as it crosses the stage toward her. Close-up on her face — she does not flinch. Does not blink. Eyes forward. Chin up. The blade fills the frame — spinning closer. Then — it buries itself in the wood one inch from her ear with a sound like a thunderclap. The wheel shudders. Her hair moves from the displaced air. Nothing else. She does not move. [CUT 4 — 0:11–0:15] Wide shot — five more blades in rapid succession, each one thudding into the wheel in a perfect silhouette around her body. Ultra slow motion on the final blade — spinning toward her in absolute silence, camera from the front watching it approach her chest. It hits the wood dead center beside her shoulder. She exhales once. Slowly. The wheel stops spinning. The spotlight holds on her — surrounded by blades, completely untouched, completely unshaken. She looks directly into the camera. Crowd erupts. She does not smile. Just nods once. Cut to black. Voiceover final and calm: "Courage is not throwing the knife. Courage is standing still." VOICEOVER: "Everyone thinks he is the brave one. But I am the one who has to trust. Courage is not throwing the knife. Courage is standing still." MUSIC: Dead silence opening · single tension drum beat building · complete silence on blade release · thunderclap blade impacts · full crowd roar on final cut · silence on black STYLE: Single spotlight against pure black · ultra slow motion blade rotation · steel catching light in sharp flashes · extreme close-up eye intercuts · crowd blurred3a:Tb79,[CUT 1 — 0:00–0:03] Pure black. A single
Espionage-Thriller Fight Scene Prompt with Image References
Mei Tactical suit.png = Mei: East Asian woman, long straight black hair, black leather tactical suit with gold accent piping along collar, shoulders, and wrist cuffs, gold buckle utility belt, dual thigh holsters, black flat-heeled boots with gold chevron trim. Dex Rei Tactical suit.png = Dex Rei: East Asian woman, dark green twin ponytails with blunt-cut bangs, dark green leather tactical suit with black reinforced shoulder pads and knee panels, black utility belt with hip pouch, single thigh holster, black lace-up heeled combat boots, black tactical gloves. Hallway 2.PNG = Hallway environment reference. Style & Mood: Aggressive espionage-thriller intensity dialed higher. Fluorescent tubes flicker under impact vibrations, casting staccato light across polished epoxy floors. Desaturated teal-gray palette, motion blur on extremities during fast rotation, sharp focus snapping to point of contact on every strike. Sweat droplets flung from hair on spinning moves catch the overhead light. Dynamic Description: Handheld medium shot already in motion — Mei drives forward with a rapid three-punch combination, fists cutting the air. Dex Rei weaves back, parries the third strike wide, and fires a roundhouse kick that whips her green ponytails in a wide arc, boot connecting flush with Mei's raised guard. Smash cut to low-angle wide, static — Mei absorbs the impact, slides back half a step on the slick floor, then explodes forward with a spinning back kick, her black hair fanning outward as her heel drives toward Dex Rei's sternum. Cut to high-angle crane shot descending — Dex Rei catches the kick against crossed forearms, the force pushing her boots backward on polished floor, fluorescent reflections streaking beneath her. She redirects Mei's momentum, pivots, and launches a spinning jump kick — her entire body rotating airborne, green suit blurring, boot arcing toward Mei's head. Cut to ECU, static — Mei's hand snaps up, palm catching the incoming boot inches from her temple, fingers gripping leather. Whip-pan to medium handheld tracking — Mei shoves the caught leg away, immediately chains into a leaping roundhouse, her body torquing horizontal mid-air, gold wrist cuffs flashing under fluorescent light. The kick grazes Dex Rei's shoulder as she ducks. Cut to wide stabilized tracking from floor level — Dex Rei drops into a spinning leg sweep across the polished surface, one palm planted. Mei vaults over it, lands, and Dex Rei is already rising with a vertical spinning crescent kick that forces Mei to arch backward, the boot passing centimeters from her chin. Hard cut to medium close-up, handheld — both women snap back to fighting stance simultaneously, chests heaving, green ponytails and black hair still settling from the rotational force. A flicker of mutual acknowledgment passes between them — Dex Rei's smirk, Mei's narrowed eyes — before they surge forward again. Static Descriptio41:Tb8a,Mei Tactical
Cinematic Action Fight Storyboard
Create a high-quality 4K cinematic action movie storyboard with EXACTLY 8 PANELS ONLY (no more, no less), showing a female protagonist in a realistic fight sequence where she wins. Use dramatic lighting, high contrast shadows, realistic environments (abandoned warehouse, rooftop, or underground fight arena), and a gritty film tone. No text anywhere. The storyboard must include exactly these 8 scenes: Wide establishing shot of a dark, intense location (rain, dust, or low light atmosphere), both fighters facing each other Close-up of the woman’s focused expression, controlled breathing, tension building Opponent attacks first with aggressive movement (punch or kick) She narrowly dodges—dynamic motion, fast reaction, camera tracking Close combat exchange—blocks, counters, and impact moments with cinematic slow motion Turning point—she reads the opponent and lands a clean, powerful counter move Decisive takedown—opponent falls hard, dramatic impact, environment reacting (dust, water splash, etc.) Final frame—she stands strong and calm, slightly injured but dominant, looking forward under dramatic lighting, clear victory Use varied camera angles (wide, close-up, over-shoulder, low angle), realistic fight choreography, motion blur, and physical impact details. Tone should feel like a Hollywood action film, focusing on tension, realism, and character strength—not stylized or social media aesthetic. Strict rule: only 8 panels, no repetition, no extra frames.3a:T5d0,Create
Cinematic Time-Freeze Thriller
Concept: Use Reference Image as the main character, keeping facial features and body proportions consistent throughout. Cinematic time-freeze short film, 15 seconds, ultra-realistic, shot on Arri Alexa Mini, 35mm lens. Aesthetic: Stargate SG-1 -concrete SGC gate room, fluorescent and tactical lighting, metal grating floors, soldiers in BDUS, lived-in military base. Muted color grade, natural film grain, shallow depth of field. [0:00-0:03] The SGC gate room mid-crisis. Alarms. Soldiers rushing. Chevrons locking with heavy mechanical clunks, glowing amber one by one. The event horizon kawooshes, then settles into its liquid-mercury shimmer. She steps through and snaps her fingers. Everything freezes instantly. [0:03-0:09] Silence. Only she moves. She walks calmly to the dialing computer, types a single short command, and steps back. Done. No hesitation. She's done this before. [0-09-0-121 She glances around the frozen roomsoldiers mid-sprint, a technician mid-shout. She looks at them for one quiet beat, almost amused. Softly, to no one: "You're welcome." Then turns back toward the gate. [0:12-0:15] She snaps again. Everything resumes, alarms, shouting, motion. Nobody saw her. She steps back through the event horizon without breaking stride. The gate powers down. On the dialing computer screen, the new command blinks quietly. Fade to black. Sound: alarms / chevrons locking + kawoosh + snap → silence + soft boots on grating → keyboard clicks → "you're welcome" + snap → chaos resumes + gate powers down + fade.3a:T602,
Anime Expression Intensity Control
Task: Create a 15 second cinematic realistic surreal introspective art film video titled Photosensitive Self. One central woman moves through a minimal dark reflective studio with glass, mirrors, soft directional light, shadows, subtle haze, and abstract reflective textures. The film is silent except for breath, glass resonance, low ambient drone, and one whispered inner voiceover near the end. Story flow: 0:00–0:01.2 Extreme close up of her eye reflected through fractured/layered glass. Low drone begins. Static, intimate, mysterious. 0:01.2–0:02.5 Close up of fingertips grazing fogged glass. Subtle glass scrape and breath condensation. 0:02.5–0:03.7 Side profile close up. A narrow beam of light reveals half her face, half in shadow. Slow dolly-in. 0:03.7–0:04.9 Reflection split frame. Her real face is still while the reflection feels slightly delayed, suggesting fragmented identity. 0:04.9–0:06.1 Detail shot of her hand and lips near glass. Breath blooms on the reflective surface. 0:06.1–0:07.3 Wider abstract studio view. She stands among reflective planes, small and vulnerable. Slow dolly back. 0:07.3–0:08.5 Over the shoulder shot into mirror. Multiple reflections appear, each slightly offset. 0:08.5–0:09.7 Extreme close up of her eye, moisture catching a thin light streak. Nearly silent except heartbeat-like low pulse. 0:09.7–0:10.9 Abstract reflection fragments multiply her face across glass panels. Slow lateral camera slide. 0:10.9–0:12.1 Medium shot. She tilts her face upward into a soft overhead light, accepting the exposure. 0:12.1–0:13.3 Close up. She reaches toward her reflection, fingertips almost touching its fingertips. Slow push-in. 0:13.3–0:15.0 Final close up. Her real face and reflection align perfectly. Hold stillness. Whispered voiceover: “I was never one face… only light learning where to stay.” Camera: Use controlled luxury editorial camera movement: static close ups, slow dolly in, slow lateral slide, over the shoulder reflection framing, one slow dolly back wide shot, and final locked close up. No fast cuts, no handheld shake. Visual style: Cinematic realistic, abstract reflective luxury editorial, dark silver black palette, deep blue gray shadows, soft warm skin highlights, high contrast, natural skin texture, reflective glass, subtle haze, minimal set design, poetic vulnerability.6c:T94b,Task: Create a 15 seco
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