Yakuza Heiress Japanese Style Portrait Set — AI 画像プロンプト

请基于我上传的清晰单人人像参考图，生成一组「黑道千金 · 高级和风写真」，共 9 张，全部为单独图片，不要九宫格拼图，不要合成海报。每张 3:4 竖构图。## 固定总控严格保留参考人物本人的真实身份特征：脸型、五官比例、眼睛形状、鼻子、嘴唇、下颌线、发际线、肤色、年龄感和整体辨识度。不能换脸，不能变成陌生人，不能网红脸，不能幼态化，不能动漫化，不能 AI 娃娃脸。皮肤保留真实纹理、轻微毛孔、自然面部阴影和真实摄影质感。整体风格：黑道家族年轻继承人，高级和风写真，冷艳、克制、危险、贵气、有掌控感，有女性魅力但不低俗。画面像万元级棚拍时尚大片，不是 cosplay，不是游戏海报，不是廉价影楼风。场景统一为真实摄影棚搭建的日式和室：明亮障子门、榻榻米、竹影、黑色纸伞、白色花枝、低矮茶桌、白瓷茶具、旧屏风、深色木质空间。画面可以暗，但不能死黑；黑色布料必须有灰黑、炭黑、茶褐黑、墨黑层次，能看到褶皱、刺绣和袖摆。光线：侧向窗格硬光 + 柔和反射补光 + 轻微轮廓光。障子门可以明亮，但人物脸、皮肤、和服、茶具、花枝不能糊。服装：黑色高级和服或改良振袖，白色内衬领口明显，暗红、枯金、旧银、墨绿、花枝纹、蝶纹或家纹刺绣。银灰金织锦 obi 腰封，厚重立体。深棕黑发或黑发，松散盘发或高盘发，有自然碎发，配暗红彼岸花、红色簪花、金属发簪或细流苏。妆容冷艳，细长眼妆，深红、酒红或棕红唇，不要粉嫩少女感。身体与姿态必须真实自然：只出现一个人，身体比例正常，双臂双腿逻辑清晰，关节自然，手指正常。不要多手多脚，不要缺腿，不要只露出一条腿造成断裂感，不要融合腿，不要扭曲腰胯，不要脚趾畸形。凡是露腿画面，必须让两条腿的姿态都能被理解：一条腿折起，另一条腿延展，或两条腿都被和服自然遮挡但身体结构完整。动作高级克制，不色情，不过度性感化。画面限制：不要文字、不要日文竖排字、不要 logo、不要水印、不要摄影机构署名。不要枪支、不要血腥、不要打斗。可以出现武士刀、刀鞘、折扇，但只能作为静态气场道具。---## 01｜纸伞茶室坐姿图日式和室内，明亮障子门在侧后方，黑色纸伞、白色花枝、低矮茶桌和白瓷茶具形成背景层次。人物坐在榻榻米上，身体轻微侧转，不要正襟危坐。一只手拿茶盏，另一只手轻放膝上。和服领口自然松弛，露出锁骨和肩颈线条。她直视镜头，眼神冷静、疏离、有压迫感。半身到 3/4 身竖构图，重点表现脸、肩颈、茶盏、手部、腰封和黑色和服质感。---## 02｜高位俯拍折扇图略高机位俯拍完整日式和室，能看到榻榻米纹理、窗格光影、低矮茶桌、白瓷茶具、黑纸伞、白色花枝和竹影屏风。人物坐在榻榻米中央偏一侧，手持打开的黑色折扇，另一只手自然撑地。姿势优雅安静，低头或闭眼，不看镜头，像被抓拍到的一瞬间。身体结构必须稳定：两条腿都要有清晰逻辑。一条腿自然折起，另一条腿向前或斜前方延展；和服下摆自然铺开，但不能只露出一条腿造成断裂感。画面重点是空间、折扇、榻榻米、和服铺陈和身体曲线。---## 03｜持刀近景眼神图明亮窗格光下的和室近景，背景有障子门、黑纸伞轮廓、白色花枝和暗色屏风。人物穿黑色刺绣和服，白色领口清楚，银灰金 obi 明显。双手持一把刀鞘或半出鞘武士刀，作为静态权力道具，不做攻击动作。近景构图，集中在脸、眼睛、肩颈、手部和刀柄。她抬眼直视镜头，眼神锋利、冷艳、警觉、有压迫感。手指必须自然，刀柄不能变形。---## 04｜侧坐长腿延展图日式和室地面，背景有明亮障子门、竹影、黑色纸伞、白色花枝、低矮茶桌和白瓷茶具。窗格光斜射在榻榻米和人物腿部，形成真实光影切割。人物侧坐在榻榻米上，身体微微后仰，一只手撑地，另一只手轻拿折扇或靠近茶桌。两条腿必须完整自然：一条腿折起收在身体一侧，另一条腿向前延展，能看出正常大腿、膝盖、小腿和脚部线条。不要只露出一条腿，不要融合腿，不要脚部畸形。她侧眼看向远处，神情慵懒、冷淡、危险。中景竖构图，突出身体延展感、腰胯线条、腿部姿态、前景花枝和黑色和服褶皱。---## 05｜茶桌边俯身图人物靠近低矮茶桌，桌上有白瓷茶壶、茶杯、小花枝和合上的折扇。背景为障子门、黑纸伞和竹影屏风。她身体微微前倾，一只手扶桌沿，另一只手轻拿茶杯或折扇。肩线自然倾斜，腰部轻微扭转，形成柔和上半身曲线。和服领口自然打开，突出锁骨和肩颈，但保持高级克制。她低头看向茶杯，再微微抬眼看镜头，表情疏离、冷静、带一点危险吸引力。半身竖构图，重点表现脸、锁骨、手臂、茶具和桌面细节。---## 06｜站姿持刀侧身图日式和室中央，背景有明亮障子门、竹影屏风、黑色纸伞、白色花枝和木质空间。整体更正式，光线清透但有反差。人物站立侧身，重心放在一侧腿上，腰线微收，肩颈舒展。双手竖持刀鞘或武士刀，刀作为气场道具，不攻击。头微微偏转，眼神看向侧前方或半垂眼，冷艳、克制、危险。3/4 身竖构图，重点突出刀、脸部侧影、肩颈、腰封、袖摆和站姿气场。身体比例必须正常，手指和刀柄不能变形。---## 07｜榻榻米半躺图暗色和室地面，背景有障子门、旧屏风、低矮木桌、白色花瓶和白花枝。地面有清晰窗格光影，前景可有轻微虚化花枝或茶具。人物半躺在榻榻米上，一侧手臂撑起上半身，另一只手轻搭在腰封或衣摆旁。上身轻微扭转，腰线自然收紧，腿部在和服下自然交错延展。注意身体必须真实：两条腿的位置要合理，即使被和服遮挡，也不能形成缺腿、断腿或额外腿。她转头看向镜头，眼神漫不经心，冷淡又迷人。中远景竖构图，突出身体曲线、榻榻米纹理、光影切割和黑色布料层次。---## 08｜回头半跪背影图暗色和室，背景有竹影屏风、白色枝花、障子门和黑色纸伞。窗外斜射光照亮背部、肩线和侧脸。人物背对或侧背对镜头，半跪坐在榻榻米上。黑色和服背部与袖子上的花纹、蝶纹、金色刺绣清晰，腰后有立体银金色 obi 结。身体向前，头和上半身微微回转，形成背部到腰部的优雅弧线。一只手握刀鞘或折扇，另一只手轻扶地面或衣摆。双腿为自然半跪坐姿，被和服覆盖但结构完整，不能出现奇怪下半身或多余肢体。她回头看向镜头，眼神冷、稳、警觉，危险又有女性魅力。3/4 身竖构图，重点表现背部、腰封、肩颈、回头眼神和身体扭转美感。---## 09｜最终收束主视觉日式家族宅邸主厅，背景有障子门、深色木柱、旧屏风、黑色纸伞、白色枝花和低矮茶桌。整体更庄重正式，像整组写真封面。人物穿整组最华丽的黑色高级和服，白色内衬领口，暗红、枯金、旧银刺绣，厚重银灰金织锦 obi，彼岸花发饰更明显，深红唇。她采用女王感正式坐姿：身体端坐但上半身轻微前倾或侧转。一只手放膝上，另一只手扶茶盏、折扇或刀鞘。姿态稳，但保留肩颈舒展、腰线和女性气场。她直视镜头，眼神冷静、有权力感，像真正坐稳位置的黑道千金。正式竖构图，重点表现脸、眼神、肩颈、手部、腰封和整体权力气场。3e:T2836,Please generate a set of "Underworld Heiress · High-end Japanese-style Portraits" based on the clear single-person portrait reference image I uploaded, for a total of 9 images, all as individual images, no nine-grid collages, no composite posters. Each is a 3:4 vertical composition. ## Fixed Master Control Strictly retain the actual identity characteristics of the reference person: face shape, facial feature proportions, eye shape, nose, lips, jawline, hairline, skin tone, sense of age, and overall recognizability. Do not swap faces, do not turn into a stranger, do not use an influencer face, do not infantilize, do not animate, do not use an AI doll face. Skin should retain real texture, slight pores, natural facial shadows, and real photographic quality. Overall Style: Young heir of an underworld family, high-end Japanese-style portrait, cold, restrained, dangerous, noble, in control, feminine but not vulgar. The image should look like a ten-thousand-dollar studio fashion blockbuster, not cosplay, not a game poster, not cheap studio style. The scene is unified as a Japanese-style room built in a real photo studio: bright shoji doors, tatami mats, bamboo shadows, black paper umbrellas, white flower branches, low tea tables, white porcelain tea sets, old screens, and dark wood spaces. The image can be dark, but not pitch black; black fabrics must have layers of gray-black, charcoal black, brownish-black, and ink black, with visible folds, embroidery, and sleeve hems. Lighting: Side window hard light + soft reflected fill light + slight rim light. Shoji doors can be bright, but the person's face, skin, kimono, tea set, and flower branches must not be blurred. Clothing: High-end black kimono or modified furisode, obvious white inner lining collar, embroidery in dark red, withered gold, old silver, dark green, flower branch patterns, butterfly patterns, or family crests. Silver-gray gold brocade obi, heavy and three-dimensional. Dark brown or black hair, loose or high updo, with natural stray hairs, paired with dark red spider lilies, red flower hairpins, metal hairpins, or fine tassels. Cold and elegant makeup, slender eye makeup, deep red, wine red, or brown-red lips, no pink girlish feel. Body and posture must be real and natural: only one person appears, normal body proportions, clear logic for arms and legs, natural joints, normal fingers. No extra hands or feet, no missing legs, do not show only one leg causing a sense of disconnection, do not merge legs, do not distort hips, no toe deformities. In any shot showing legs, the posture of both legs must be understandable: one leg folded, the other extended, or both legs naturally covered by the kimono but with a complete body structure. Actions should be high-end and restrained, not erotic, and not overly sexualized. Image Restrictions: No text, no vertical Japanese text, no logo, no watermark, no photographer signature. No guns, no gore, no fighting. Katana, scabbards, and folding fans can appear, but only as static atmosphere props. --- ## 01 | Paper Umbrella Tearoom Sitting Pose Inside a Japanese-style room, bright shoji doors are to the side and rear, with a black paper umbrella, white flower branches, a low tea table, and a white porcelain tea set forming the background layers. The subject sits on a tatami mat, body slightly turned, not sitting stiffly. One hand holds a teacup, the other rests lightly on the knee. The kimono collar is naturally relaxed, revealing the collarbone and neck line. She stares directly at the camera with a calm, aloof, and oppressive gaze. Half-body to 3/4 body vertical composition, focusing on the face, neck, teacup, hands, obi, and black kimono texture. --- ## 02 | High-angle Folding Fan Shot A slightly high-angle shot of the entire Japanese room, showing tatami texture, window light and shadows, low tea table, white porcelain tea set, black paper umbrella, white flower branches, and bamboo shadow screen. The subject sits to one side of the center of the tatami, holding an open black folding fan, with the other hand naturally supporting her on the floor. Elegant and quiet posture, head lowered or eyes closed, not looking at the camera, like a candid moment. Body structure must be stable: both legs must have clear logic. One leg naturally folded, the other extending forward or diagonally; the kimono hem naturally spread out, but not showing only one leg. Focus is on space, folding fan, tatami, kimono arrangement, and body curves. --- ## 03 | Close-up Gaze with Sword Close-up of a Japanese room under bright window light, background has shoji doors, black paper umbrella outlines, white flower branches, and dark screens. Subject wears a black embroidered kimono, clear white collar, and obvious silver-gray gold obi. Hands hold a scabbard or a half-drawn katana as a static power prop, no aggressive movement. Close-up composition focusing on face, eyes, neck, hands, and sword hilt. She looks up directly at the camera with sharp, cold, alert, and oppressive eyes. Fingers must be natural, and the sword hilt must not be deformed. --- ## 04 | Side-sitting Long Leg Extension Japanese room floor, background with bright shoji doors, bamboo shadows, black paper umbrella, white flower branches, low tea table, and white porcela