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Detailed Cinematic Prompt for Wuxia Film 'Duel on the Lake' (Two Segments) — AI 動画プロンプト
An extremely detailed, multi-segment cinematic prompt generated by Claude, designed for Seedance 2.0 to create a Wuxia (martial heroes) short film. It specifies visual style, color palette, camera work, audio design, character descriptions, and scene-by-scene action for two 15-second segments: 'Lake Surface Initial Battle' and 'Bamboo Forest Decisive Battle'. This prompt is a comprehensive script for video generation. - AIPinMaker
プロンプト
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The red-clothed female swordswoman stands on a lotus leaf on the lake surface, holding her sword in her right hand, the tip pointing to the ground, with sharp eyes. Opposite her, the blind swordsman wears an off-white long robe, his sunglasses reflecting the lake light, holding a long staff, his posture still as water. Camera Design: Medium shot of the female swordswoman facing forward; medium shot of the blind swordsman's sunglasses reflection; long shot of the two confronting each other Audio: Low guqin sound; faint water sound; bamboo leaf rustling [2-4 seconds] Scene 2 | Killing Intent · Eye Contact Plot Description: Killing intent flashes in the swordswoman's eyes, she raises her long sword, the blade reflecting silver light. The moment the sword leaves the sheath, the blade breaks the air. Hard cut to the blind swordsman's face, sunglasses reflecting ripples, a slight smile at the corner of his mouth. He rotates his long staff, emitting a low wind sound. Camera Design: Close-up of the swordswoman's eyes; close-up of the silver light of the sword leaving the sheath (slow motion); hard cut; close-up of the blind swordsman's sunglasses; close shot of the rotating long staff Audio: Sword blade "zheng" sound; staff "hu" sound; guqin stops abruptly [4-10 seconds] Scene 3 | First Exchange · Fierce Battle on the Water Plot Description: The swordswoman attacks first, her toes tapping the ground, her figure like an arrow, her red clothes fluttering. She uses Qinggong to step on the water, stirring up ripples and splashes, her sword moves fierce. The blind swordsman moves sideways, gliding across the lake surface with Qinggong, his long staff skillfully blocking. The two exchange blows quickly, sword and staff colliding, water splashing everywhere. During the fierce fight, the blind swordsman's staff technique changes, the long staff accurately thrusts out, hitting the swordswoman's right shoulder. The swordswoman retreats, clutching her shoulder, her face showing pain and shock. Camera Design: 4-6 seconds: Medium shot of the swordswoman leaping; close shot of her toes tapping the water (slow motion) 6-8 seconds: Medium-long shot of the exchange; close-up of the sword and staff colliding 8-9 seconds: Close shot of the long staff thrusting out (slow motion); close-up of the hit shoulder 9-10 seconds: Close shot of her retreating and clutching her shoulder Audio: Water tapping sound; dense collision sounds; wind breaking sound; bamboo flute joins; muffled staff hit; faint painful groan [10-15 seconds] Scene 4 | Angry Counterattack · Rushing Towards the Bamboo Forest (Ending/Transition) Plot Description: After a brief pause, anger ignites in the swordswoman's eyes, she growls: "Take this!" Ignoring her shoulder injury, she leaps again, her sword moves even fiercer. The blind swordsman sweeps horizontally with his long staff, knocking the swordswoman back. The swordswoman flies backward, using the momentum to lightly tap on the lotus leaves on the water surface, flying towards the bamboo forest on the lake shore. The blind swordsman follows closely behind. The two figures, one red and one white, quickly rush towards the distant emerald green bamboo forest. The camera pulls back, showing the transition between the lake surface and the bamboo forest. The screen suddenly cuts to black the moment the two rush into the bamboo forest. Camera Design: 10-11 seconds: Close-up of eyes turning angry; dial
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A 19-year-old desert courier with sunburned skin, wind-tangled hair, and layered sand-worn robes bursts into a full sprint through a narrow canyon city in the first two seconds as a massive sandstorm leviathan composed of spiraling dunes, shattered stone, and crackling static energy rises behind her, consuming entire watchtowers and collapsing market arches into dust clouds, the sequence never slowing as she navigates tight alleys, rope bridges, rooftop terraces, and shifting sand streets while the storm entity flows through structures like liquid force, ripping apart walls, pulling debris into rotating vortex arms, and sending blasts of sand that strip surfaces clean, forcing her to duck through collapsing doorways, leap across rooftops, and slide under falling banners. The visual style evokes desert epic cinema with practical dust effects, high-speed sand simulation, harsh sunlight cutting through airborne particles, subtle chromatic aberration from heat shimmer, the camera maintaining fast lateral tracking and rear pursuit framing, occasionally pulling wide to reveal the storm’s full scale and trajectory, and as she reaches the final canyon exit, the storm compresses inward into a singular towering column before exploding outward in a massive dust bloom just as the cut hits.3d
Telekinetic Corridor Action Scene
In a telekinetic action scene, a South Korean high school girl in a white short-sleeved shirt and gray pleated skirt stands calmly in the middle of a corridor. She is being attacked from both sides; some attackers, wearing brown school uniform jackets, wield short sticks, while others are dressed as black ninjas, creating a tense standoff in the corridor. As the enemies rush towards her, the girl unleashes a powerful telekinetic attack. Suddenly, everything around her enters a state of weightlessness and time freezes. Dozens of items—open textbooks, notebooks, a red soda can, and a wooden school chair—leave the ground, perfectly suspending themselves in mid-air. The attackers, in their lunging movements, are frozen in mid-air by an invisible force. Paper pages, scraps of paper, and dust float and swirl around her weightlessly. The camera slowly zooms in on the girl, perfectly freezing the chaotic corridor in the telekinetic-induced state of stillness and suspension. In the extreme stillness of the slowly zooming-in, frozen image, the girl's calm eyes narrow slightly. Immediately afterward, she calmly raised her right hand, her fingers loosely clenched, and then made a light yet decisive flick of her sleeve to either side of her body. In an instant, frozen time and gravity seemed to explode with this subtle gesture. A low rumble echoed in the air, and dozens of objects that had been suspended in mid-air—a heavy wooden school chair, scattered textbooks, even the red soda can—transformed into a dense projection, carrying powerful air currents, and were precisely launched towards the enemies attacking from both sides. At the same time, an invisible circular psychic shockwave violently spread out from the girl. The brown-uniformed attackers and black-clad ninjas, who had been frozen in mid-air, were instantly struck by this immense force, their bodies jolted violently, and they were sent flying backward like kites with broken strings to either end of the corridor. As gravity instantly returned, the wooden chairs shattered upon impact, textbooks scattered into a flurry of pages, and with the dull thud of heavy objects hitting the ground, the attackers collapsed onto the corridor floor, incapacitated. Silence returned to the corridor, broken only by countless tattered papers and fine dust drifting slowly in the air. The aftershocks of the shockwave ruffled the girl's bangs and hair. She remained composed, not even glancing at her fallen opponent. The girl slowly lowered her right hand, raised her slender left, and gracefully and calmly tucked a strand of black hair behind her ear, revealing her delicate and serene profile. The camera froze on this moment, the white papers falling around her like snowflakes, highlighting her still figure in a white short-sleeved shirt and gray pleated skirt. Then, the image faded out.3b:Tb35,
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